<h2 id="id00187" style="margin-top: 4em">CHAPTER VI</h2>
<h4 id="id00188" style="margin-top: 2em">"GLORIA VICTIS"</h4>
<p id="id00189">"We'll just put our Russian friend back here in the corner, where the
shelf suppresses him," said Georgia, who seemed to have accepted the
self-appointed position of head cataloguer. "Some of the students might
happen to call."</p>
<p id="id00190">"This," said Dr. Parkman, who was dusting Gibbon's Rome, "is the sort of
thing that is called the backbone of a library."</p>
<p id="id00191">"Consequently," replied Georgia glibly, "we will put it up here on the
top shelf. Nobody wants a library's backbone. It's to be had, not read.
Now the trimmings, like our friend Mr. Shaw here, must be given places of
accessibility."</p>
<p id="id00192">The host was picking his way around among the contents of a box which he
had just emptied upon the floor. The hostess was yielding to the
temptation of an interesting bit which had caught her eye in dusting "An
Attic Philosopher in Paris."</p>
<p id="id00193">"Now here," said Dr. Hubers, picking up a thick, green book, "is Walt
Whitman and that means trouble. No one is going to know whether he is
prose or poetry."</p>
<p id="id00194">"When art weds science," observed Georgia, "the resulting library is
difficult to manage. Mr. Haeckel and Mr. Maeterlinck may not like being
bumped up here together."</p>
<p id="id00195">"Then put Haeckel somewhere else," said Ernestine, looking up from her
book.</p>
<p id="id00196">"No, fire Maeterlinck," commanded Karl.</p>
<p id="id00197">"See," said Georgia—"it's begun. Strife and dissension have set in."</p>
<p id="id00198">"I'm neither a literary man nor a librarian," ventured Dr. Parkman, "but
it seems a slight oversight to complete the list of poets and leave
Shakespeare lying out there on the floor."</p>
<p id="id00199">"Got my Goethe in?" asked Karl, after Shakespeare had been left immersed
in Georgia's vituperations.</p>
<p id="id00200">"I think Browning and Keats are over there under the Encyclopedia
Britannica," said Ernestine, roused to the necessity of securing a
favourable position for her friends.</p>
<p id="id00201">"Observe," said Georgia, "how they have begun insisting on their
favourite authors. This is one of the early stages."</p>
<p id="id00202">Ernestine, looking over their shoulders, made some critical remark about
the place accorded Balzac's letters to Madam Hanska, which caused
Georgia to retort that perhaps it would be better if people arranged
their own libraries, and then they could put things where they wanted
them. Then after she had given a resting place to what she denounced as
some very disreputable French novels, she leaned against the shelves and
declared it was time to rest.</p>
<p id="id00203">"This function," she began, "will make a nice little item for our
society girl. Usually she disdains people who do not live on the Lake
Shore Drive, but she will have to admit there is snap in this 'Dr. and
Mrs. Karl Ludwig Hubers,'"—pounding it out on a copy of Walden as
typewriter—"' but newly returned from foreign shores, entertained last
night at a book dusting party. Those present were Dr. Murray Parkman,
eminent surgeon, and Miss Georgia McCormick, well and unfavourably known
in some parts of the city. Rug beating and other athletic games were
indulged in. The hostess wore a beautifully ruffled apron of white and
kindly presented her guest with a kitchen apron of blue. Beer was served
freely during the evening.'"</p>
<p id="id00204">"Is that last as close as your paper comes to the truth?" asked<br/>
Ernestine, piling up Emerson that he might not be walked upon.<br/></p>
<p id="id00205">"That last, my dear, is a hint—a good, straight-from-the-shoulder hint.<br/>
I did it for Dr. Parkman. He looks warm and unhappy."<br/></p>
<p id="id00206">Dr. Parkman protested that while a little warm, he was not at all
unhappy, but upon further questioning as to thirst was led into damaging
admissions. So the little party divided, Georgia calling back over her
shoulder that as the host was of Teutonic origin, there need be no fear
about the newly stocked larder.</p>
<p id="id00207">Left alone a curious change came over the two men. They had entered with
the heartiness of schoolboys into the raillery of a few minutes before,
but all of that dropped from them now, and as they pulled up the big
chairs and Dr. Parkman's "Well?" brought the light of a great enthusiasm
to the face of his friend, drawing him into the things he had been so
eager to reach, one would not readily have associated them with the
flippant conversation from which they had just turned.</p>
<p id="id00208">For here were men who in truth had little time for the lighter, gayer
things of life. They stood well to the front in that proportionally small
army of men who do the world's work. "Tommy-<i>rot</i>!" Dr. Parkman had
responded a few days before to a beautiful tribute some one was seeking
to pay "The Doctor"—"A doctor is a man who helps people make the best of
their bad bargains—and damned sick he gets of his job. A man must make a
living some way, so some of us earn our salt by bucking up against the
law of the survival of the fittest, thereby rendering humanity the
beautiful service of encumbering the earth with the weak. If the medical
profession would just quit its damn meddling, nature might manage, in
time, to do something worth while."</p>
<p id="id00209">But all the while, by day and by night, at the expense of leisure and
pleasure,—often to the exclusion of sleep and food, he kept steadily at
his "damn meddling,"—proving the most effective enemy nature had in that
part of the country; and sadly enough—for his philosophy—he was even
stripped of the vindication of earning his salt. In the one hour a day
given to his business affairs, Dr. Parkman made more money than in the
ten or twelve devoted to his profession. Men said he had financial
genius, and he admitted that possibly he had, stipulating only that
financial genius was an inflated name for devil's luck. He liked the
money game better than poker, and played it as his pet dissipation, his
one real diversion. But having more salt than he could use during the
remainder of his days, did not tend toward an abatement of this war he
waged against nature's ultimate design. He himself would analyse that as
a species of stubbornness, an egotistic desire to see how good an
interference he could establish, but he gave body and brain and soul to
his meddling with a fire suspiciously like consecration.</p>
<p id="id00210">They all knew that Dr. Parkman worked hard. Some few knew that he
overworked, and a very few knew why. Of the personal things of his own
life he never spoke, and though he was but fifty, his lined face and
deep-set eyes made him seem much closer to sixty.</p>
<p id="id00211">The two men were an interesting contrast; Dr. Parkman was singularly,
conspicuously dark, while Karl Hubers was a true Teuton in colouring. Dr.
Parkman was a large man, and all of him seemed to count for force.
Something about him made people prefer not to get in his way. It was his
hands spoke for his work—superbly the surgeon's hands, that magical
union of power and skill, hands for the strongest grip and the lightest
touch, lithe, sure, relentless, fairly intuitive. His hands made one
believe in him.</p>
<p id="id00212">With Karl it was the eyes told most. They seemed to be looking such a
long way ahead, and yet not missing the smallest thing close at hand. As
he talked now, his face lighted with enthusiasm, it occurred to Dr.
Parkman that Hubers was a curious blending of the two kinds of men there
were behind him. Some of those men had been fighters and some had been
thinkers, but Karl was the thinker who fights. He had drawn from both of
them, and that gave him peculiar fitness for the work he was doing. It
was work for the thinker, the scholar, but work which must have the
fighting blood. Even his appearance bore the mark of the two kinds of
things bequeathed him. He had the well-knit body of the soldier, the face
of the student. He was not a large man, but he gave the sense of large
things. He had the slight stoop of the laboratory, but when interested,
aflame, he straightened up and was then in every line the man who fights.
His eyes, to the understanding observer, told the story of much work
with the microscope. They were curiously, though not unattractively,
unlike. The left he used for observations, the right for making the
accompanying drawings. That gave them a peculiarity only the man of
science would understand.</p>
<p id="id00213">The things which the two men radiated were different things. One felt
their different adjustment toward life. Dr. Parkman had turned to hard
work as some men turn to strong drink, to submerge himself, to take him
out of himself, to make life possible; while with Karl Hubers, work and
life and love were all one great force. Dr. Parkman worked in order that
he might not remember; Karl in order that he might fulfill.</p>
<p id="id00214">Their friendship had begun ten years before in Vienna, one of those rare
friendships which seem all the more intimate because formed in a
foreign land; a friendship taking root in the rich soil of kindred
interests,—comradeship which drew from the deep springs of
understanding. To come close to Karl's work had been one of the real joys
of Dr. Parkman's very active but very barren life.—He loved Karl; his
own heart was wrapped up in the work his friend was doing. And the doctor
meant much to Karl; had done much for him. The one was the man of
affairs; the other the man of thought; they supplemented and helped each
other. As the practicing physician, Dr. Parkman could see many things
from which the laboratory man would be shut out. He was Karl's channel of
communication with the human side of the work. And Karl gave Parkman his
complete confidence; that was why there was so much to tell now. He must
go over the story of his year's work, touch upon his plans, his new
ideas. And the doctor had something to say of the observations he had
made for Karl; he told of an operation day after to-morrow he must see
and said he had several cases worth watching.</p>
<p id="id00215">"You will have to come out to the laboratory," Karl finally urged. "We
can't begin to get at it here."</p>
<p id="id00216">"We're forgetting the hungry and thirsty men," said Georgia, after they
had been eagerly chatting across the kitchen table for ten or fifteen
minutes. But Ernestine said it did not matter. She knew what was going on
in the library and how glad they were of their chance. She and Georgia
too had much to discuss: the work done in Europe, Georgia's work here,
how splendid Karl was, what a glorious time they had had, something of
the good times they would all have together here, and then this house
which Georgia had found for them and into which they had gone at once.</p>
<p id="id00217">"I knew well enough," she said, buttering a sandwich in order to stay
her conscience, "that you and Karl didn't belong in a flat. There
couldn't be a studio and a laboratory and library and various other
exotic things in a flat. But only old settlers and millionaires live in
detached houses here, so please appreciate my efforts. I thought this
place looked like you—not that you're exactly old-fashioned and
irregular."</p>
<p id="id00218">"I liked it at once. Big enough and interestingly queer, and not
savouring of Chicago enterprise."</p>
<p id="id00219">"Not that there is anything the matter with Chicago enterprise," insisted<br/>
Georgia.<br/></p>
<p id="id00220">"You like Chicago, don't you, Georgia?"</p>
<p id="id00221">"Love it! I know one doesn't usually associate love with Chicago, but I
love even its abominations. You know I had a tough time here, but I won
out, and most of us are vain enough to be awfully fond of the place where
we've been up against it and come out on top. I haven't forgotten the
days when I edited farm journals and wrote thirty-cent lives of great men
and peddled feature stories from office to office, standing with my hand
on door knobs fighting for nerve to go in, but now that it is all safely
tucked away in the past, I'm not sorry I had to do it. It helps one
understand a few things, and when new girls come to me I don't tell them,
as I was told, that they'd better learn the millinery trade or do honest
work in somebody's kitchen. None of that kind of talk do they get from
me!"</p>
<p id="id00222">It was always absorbing to see Georgia very much in earnest. Her alert
face kept pace with her words, and her emphatic little nods seemed to be
clinching her thought. People who had good cause to know, said it was
just as well not to turn the full tide of her emotions to wrath. She was
a little taller than Ernestine, very quick in her movements, and if one
insisted on an adverse criticism it might be admitted she was rather
lacking in repose. The people who liked her, put it the other way. They
said she was so breezy and delightful. But even friendship could not deny
her freckles, nor claim beauty for her bright, quick face.</p>
<p id="id00223">They seemed to fall naturally into more serious things when they met over
what Georgia called the evening bite. Although differing so widely, they
were homogeneous in that all were workers; they touched many things,
their talk live with differences.</p>
<p id="id00224">"How do you like it?" asked Ernestine, following Dr. Parkman's eyes to
her favourite bronze, a copy of Mercie's Gloria Victis, which she had
unpacked just that day and given a place of honour on the mantel.</p>
<p id="id00225">"It's so Christian," he objected laughingly.</p>
<p id="id00226">"Oh, but is it?"</p>
<p id="id00227">"A defeated man being borne aloft? I call it the very essence of
Christianity. I can see submission and renunciation and other
objectionable virtues in every line of it."</p>
<p id="id00228">"Go after it, Parkman," laughed Karl. "Ernestine and I all but came to
blows over it. I wanted her to buy a Napoleon instead. I tell her there
is no glory in defeat."</p>
<p id="id00229">"I don't think of it as the glory of defeat," said Ernestine. "I think of
it as the glory of the conquered."</p>
<p id="id00230">"But even so, Ernestine," said Georgia, who had been looking it over
carefully, "there's no real glory. When I fall down on an assignment, I
fall down, and that's all there is to it—at least my city editor thinks
so. If Dr. Parkman doesn't win a case, he loses it. His efforts may have
been very worthy—but gloria's surely not the word for them. Or take a
football game," she laughed. "Sometimes the defeated team really does
better work than the winners—but wouldn't we rather our fellows would
win on a fluke than go down to defeat putting up a good, steady fight?
The thing is to <i>get there!</i>"</p>
<p id="id00231">"In football or in life," laughed Karl. "Defeat furnishes good material
to the poets and the artists, but none of us care to have the glory of
the conquered apply to <i>us.</i>"</p>
<p id="id00232">They were all looking at the bronze and Ernestine looked from one face to
another, trying to understand why it moved none of them as it had her.
Karl's face was very purposeful tonight, reflecting the stimulus of his
talk with his friend. Filled with enthusiasm for this fight he was
making, he had no eye in this hour for the triumph of the vanquished.</p>
<p id="id00233">"Why I don't want to submit," he laughed just then. "I want to win!"</p>
<p id="id00234">"An idea which has done a great deal of harm," observed Dr. Parkman.
"That 'you'll-get-your-reward-somewhere-else' doctrine is the worst
possible armour for life. The poets, of course, have always coddled the
weak, but I see more poetry in the to-hell-with-defeat spirit myself."</p>
<p id="id00235">That too she could understand—a simple matter of the arrogance of the
successful.</p>
<p id="id00236">And with Georgia it was that thing of "getting there"—the world's hard
and fast standards of success and failure.</p>
<p id="id00237">She too turned to the statue. Were they right, and she wrong? Was it just
the art of it, the effectiveness, which moved her, and was the thought
back of it indeed weakening sentimentality?</p>
<p id="id00238">"Defend it, Ernestine," laughed Karl; and then, affectionately, seeing
her seriousness, "Tell us what <i>you</i> see in it."</p>
<p id="id00239">Dr. Parkman turned from the statue to her. He never forgot her face as it
was then.</p>
<p id="id00240">He had decided during the evening that her great charm was her exquisite
femininity; she seemed to have all those graces of both mind and body
which make for perfect loving. It was the world force of love, splendidly
manifest in gentleness, he had felt in her first. But now something new
flamed up within her. Here was power—power moving in the waves of
passion through the channel of understanding. Her face had grown fairly
stern in its insistence.</p>
<p id="id00241">"But don't you <i>see</i> The keynote of it is that stubborn grip on the
broken sword. I should think every fighter would love it for that. And it
is more than the glory of the good fight. It is the glory of the
unconquerable will. Look at the woman's face! The world calls him
beaten. <i>She</i> knows that he has won. I see behind it the world's
battlefields—'way back from the first I see them all, and I see that the
thing which has shaped the world is not the success or failure of
individual battles one-half so much as it is this wresting of victory
from defeat by simply <i>breathing</i> victory even after the sword
has been broken in the hand. What we call victory and defeat are
incidents—things individual and temporal. The thing universal and
eternal is this immortality of the spirit of victory. Why, every time I
look at that grip on the broken sword,"—laughing now, but eyes
shining—"I can feel the world take a bound ahead!"</p>
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