Explanations of Western European trends in men and women's fashion from prehistoric times to the Victorian Era.
The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, from Cimabue to Our Times, or Le Vite delle più eccellenti pittori, scultori, ed architettori, as it was originally known in Italian, is a series of artist biographies written by 16th century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most- read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "one of the founding texts in art history".
Vasari's work has been described as "by far the most influential single text for the history of Renaissance art" and "the most important work of Renaissance biography of artists". Its influence is situated mainly in three domains: as an example for contemporary and later biographers and art historians, as a defining factor in the view on the Renaissance and the role of Florence and Rome in it, and as a major source of information on the lives and works of early Italian artists.
"This 1922 book by poet and sometime cultural critic Vachel Lindsay might have been the first to treat the then-new medium of moving pictures as an art form, one that was potentially as rich, complex, mysterious as far older ones, and whose physical and aesthetic properties were only starting to be understood. The highlight of the book might be “The Motion Picture of Fairy Splendor,” which examines the relationship between film storytelling, magic, myths, legends and bedtime stories. It’s discombobulating, in a good way, to read Lindsay’s attempts to grapple with what, precisely, cinema is. Being supposedly sophisticated 21st century people, we all feel as though we know what cinema is, and don’t need to have the basics explained to us, but this is really just vanity and ignorance talking. Bottom line: You haven’t really, seriously thought about movies — what they are, and what they can and cannot do, and become — until you’ve read this book."
The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin, first published from 1851 to 1853. Intending to prove how the architecture in Venice exemplified the principles he discussed in his earlier work, The Seven Lamps of Architecture, Ruskin examined the city in detail, describing for example over eighty churches. He discusses architecture of Venice's Byzantine, Gothic and Renaissance periods, and provides a general history of the city as well. The book aroused considerable interest in Victorian Britain and beyond. The chapter "The Nature of Gothic" (from volume 2) was admired by William Morris, who published it separately in an edition which is in itself an example of Gothic revival. It inspired Marcel Proust; the narrator of the Recherche visits Venice with his mother in a state of enthusiasm for Ruskin. The Stones of Venice is considered one of the most influential books of the 19th century.
Keysor, Jennie Ellis
Biographies of Raphael Santi, Murillo, Peter Paul Rubens, and Albrecht Durer. This is a wonderful tool for art study as there are references for further study, as well as ideas for language arts to incorporate into the study. Summary by Laura Caldwell
Conway, Agnes Ethel
This is a charming book on Art History for children (and everyone else). Each chapter focuses on a great painting, reproduced in color in the original text. The authors explain the story behind the paintings, as well as the life, times, and techniques of the artists.
You may find downloadable versions of all sixteen paintings at http://www.archive.org/details/Book_of_Art_Illustrations_lv, and you can easily do a google search for the other artworks mentioned in the book.
Appreciations, with an Essay on Style, is a collection of Walter Pater's previously-published essays on literature. The collection was well received by public and critic since its first edition, in 1889. The volume includes an appraisal of the poems of Dante Gabriel Rossetti, first printed in 1883, a few months after Rossetti's death; an essay on Thomas Browne, whose Baroque style Pater admired; and a discussion of Measure for Measure, one of Pater's most often reprinted pieces. The second edition, published in 1890, had a few modifications, and is the basis for all other editions of the book. (Summary by Leni)
Hurll, Estelle M.
The poetry of childhood is full of attractiveness to the artist, and many and varied are the forms in which he interprets it. The Christ-child has been his highest ideal. All that human imagination could conceive of innocence and purity and divine loveliness has been shown forth in the delineation of the Babe of Bethlehem. The influence of such art has made itself felt upon all child pictures. It matters not whether the subject be a prince or a street-waif; the true artist sees in him something which is lovable and winning, and transfers it to his canvas for our lasting pleasure. (Summary from the Preface of Child-life in Art)
This book tells of a girl named Alice falling through a rabbit hole into a fantasy world populated by peculiar, anthropomorphic creatures.